It’s just a shame that there aren’t more examples of this kind of experimentation here. It’s a recurring sonic motif that perhaps signals what future albums could sound like, nestled alongside the appearance of a pedal steel on early tracks. This track also sends Bolm’s vocals into an echo chamber, distant and hollowed, similar to how the album itself starts. It’s a post-hardcore dichotomy that the band has embraced for the better. Bolm’s vocals are reduced a bit for subtlety and clarity, to allow a more defined melody and a synth to vie for attention. There’s some curious and deeply experimental post-punk influences this time, specifically within the title track. It’s more a pronouncement that they reign supreme in their specific style, and it’s not long before they make an attempt to subvert the listener’s expectations. It’s impossible to not be motivated or moved at times by its energy. There’s a trademark warmth here that showcases the band at their best, Bolm’s vocals still cutting like jagged glass, taking an edge to every sentiment and leading the album’s emotional current with a fire that forms in the listener’s gut. Its production favors a leaden percussion, while Clayton Stevens’ guitar shimmers with blurred notes across a heavy treble. “Come Heroine” contorts and twists while hitting as hard as anything the band’s ever made. There’s a refinement to the band’s sound on Lament. Lament finds the band attempting to chart a new frontier, while processing the scope of their career and perhaps quelling doubts about the future. In part because of Bolm’s iconic raspy shout, Touche Amore’s vulnerability has always been their greatest strength. Over the course of their career, Touche’s brand of heart-on-sleeve, rip-roaring anthems have run the gamut from two-minute spectacles littered with blast beats to more traditional post-hardcore.
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